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چوب وکاغذ دانشگاه گرگان

چوب وکاغذ87

آزمايشگاه چوب خشك كني و حفاظت چوب

+ نوشته شده در  سه شنبه بیست و ششم آبان 1388ساعت 15:33  توسط abdolla zamani  | 


Solid means the same piece of wood, and nothing but that wood, for the entire thickness of the floorboard. A typical wood floorboard is 3⁄4 in. thick and 21⁄2 in. wide, with a tongue-and-groove profile to make it interlock. Red and white oak still rule, together comprising more than 90% of all of the solid hardwood flooring installed nowadays. But plenty of other species are well suited to kitchen flooring, such as ash, maple, beech and cherry. The Hardwood Council has a terrific Web site that illustrates all the readily available North American species of hardwood.

Then again, if you live in an older home with wood floors, they might not be hardwood at all. Many older homes have wide-plank pine floors, which you may want to choose if you’re creating a vintage look. Here in Connecticut, white-pine plank flooring up to 12 in. wide costs £3 per sq. ft. Beyond regular sweeping and vacuuming, the floor’s finish dictates maintenance specifics. A practical choice for this hardtraveled floor is multiple coats of a water-based urethane finish. A solid-wood floor can last the life of the structure.

cornwall wood floor flooring kitchen laminate wood floor
cornwall wood floor flooring kitchen laminate wood floor   Oak feels right in an
Arts and Crafts home.

Flat-sawn red-oak floors
and quartersawn redoak
cabinets are a timeless
Prefinished means that a multistep surface finishing program was completed prior to the flooring’s trip to the retailer. The finish on Harris-Tarkett’s engineered flooring, for example, is an acrylic urethane formulation containing aluminum-oxide granules, which have been added to toughen the finish. Mohawk Corporation adds ceramic material to strengthen its finish. The technology is—no kidding— rocket science. Even if the drawbacks discourage you, take advantage of manufacturers’ Web sites, as well as that of the National Wood Flooring Association. Their Web site includes a list of answers to frequently asked questions about wood floors and a stateby-state listing of flooring installers.


cornwall wood floor flooring kitchen laminate wood floor
Prefinished solid wood. hard and softwoods
with a tung-oil finish. From the top,
antique oak, heart pine, maple, white oak
and antique chestnut.
Engineered wood flooring is a laminated product with three to five layers. The top layer is clear, top-quality wood (photo right). It represents a growing percentage of the flooring market, and it often is sold prefinished. Every major manufacturer has several product offerings, combining different features, price points and warranties. Engineered wood is more dimensionally stable than solid wood. So if your kitchen is in a potentially damp location, such as a room below grade, consider using engineered instead of solid-wood flooring. Some engineered-flooring products are impregnated with acrylic. When dyes are added, the results are rousing. PermaGrain Products makes its Timeless 3 series in juicy colors. It should be ordered with PenThane (urethane) finish, or it will water-spot. The product cannot be refinished.
cornwall wood floor flooring kitchen laminate wood floor
cornwall wood floor flooring kitchen laminate wood floor
Your room is ready now. Prefinished engineered lumber goes down in a hurry and doesn’t require the messy steps of sanding and applying multiple layers of finish.
(Image Left) A sandwich works fine in a kitchen.
Engineered flooring is composed of a sandwich of thin layers of wood laminated together.
+ نوشته شده در  سه شنبه بیست و ششم آبان 1388ساعت 15:27  توسط abdolla zamani  | 

Wood Anatomy and Plant Fibers

For answers to many of the questions please refer to the Reading List for Exam #5.
Also try the Wayne's Word Index & Economic Plant Families.  Answers to most of
the diagrams are in the Wood Anatomy and Cell Structure Of Stems. Many of the
answers can also be found in Plant Fibers Used For Paper, Cordage and Textiles.
Also try your luck using the interactive Wood and Plant Fibers Crossword Puzzle.

Questions 1-77:  See illustrations in Wood Anatomy and Cell Structure Of Stems. You might want to download and print out the PDF version of Exam #5 because the illustrations are much higher resolution. To calculate the age of a stem, see the following illustrations:

Questions 40-50:  Cross section of a young, woody dicot stem (basswood):

To calculate the age of this young stem cross section, just count the number of thick purple rings (bands) outside of the yellow pith. Only count the layers of woody growth (xylem tissue), do not count the central core of pith. On older stems where the central pith region has been replaced by xylem tissue, you must count the central core of wood as the first year of growth. See the following photo image:

This basswood (Tilia americana) trunk cross section has 24 distinct annual rings. The central core of wood (#1 in close-up photo) counts as the first year of growth since the pith is no longer present. The smaller series of concentric rings (knot) at the bottom of the photo is a lateral branch embedded in the main trunk.

Questions 51-68:  Cross section of a ring-porous, woody dicot stem (basswood):

It is more difficult to determine the years of growth in this stem cross section, so I have numbered the annual (growth) rings. Each year of growth starts out with larger spring cells (vessel elements) and ends with smaller (more dense) summer cells (mostly tracheids).

Questions 69-84:  Cross section of a gymnosperm stem (pine):

In this illustration the smaller (more dense) summer cells during the last year of growth are not shown; therefore, this stem is in the spring of its last year of growth. Starting with the spring cells just outside the pith, the xylem tissue clearly shows four springs and three summers; therefore, this stem is in its fourth year of growth.

Questions 85-126:  See illustrations in Wood Anatomy and Plant Fibers Used For Paper, Cordage & Textiles.

Questions 85-97:  Three dimensional illustration of a block of oak wood:

The transverse (x.s.) plane of this block of oak wood shows nine years of growth (9 annual rings). The central cylinder of growth (red number 1) is counted as the first year of growth. Unlike the young stem cross sections above, this is not the pith. The pith is reduced to a mere central dot in the illustration; therefore the central cylinder of woody tissue (red number 1) counts as the first annual ring. The succeeding years of growth (annual rings) are shown by the red numbers 2-9.

A block of oak wood showing the tangential plane (T) and the radial plane (R). The parallel lines on the radial side are annual rings. The blotches of cells at right angles to the annual rings are rays (ribbonlike aggregations of cells extending radially through the xylem tissue).

Cross section of a pair of oak bookends showing the prominent rays. Each ray (blue X in photo) starts in the center and extends radially like the spokes of a wheel. Rays are composed of bands of thin-walled parenchyma cells that conduct nutrients and water laterally in a stem. Because their walls are not heavily lignified like the surrounding xylem cells, ray cells disintegrate in dead wood and often result in radial splits in the wood. One notable comment about these bookends is that they are made of petrified oak wood. Millions of years ago, the original cells in this trunk were completely replaced by minerals. This piece of oak has literally turned into stone.

Questions 98-103:  Read about specific gravity in the Hardwoods Article. Specific gravity questions about an unknown block of wood:

The hardness and weight (mass) of wood is determined primarily by the lignin content of the cell walls. Lignin is a complex phenolic polymer composed of benzene rings. It is not a polysaccharide. Probably the best way to appreciate the relative hardness of different woods is the concept of "specific gravity," a numerical scale based on 1.0 for pure water. Without getting too mathematical, the specific gravity of a substance can easily be calculated by dividing its density (in grams per cubic centimeter) by the density of pure water (one gram per cubic centimeter). Since the units of measurement cancel out, and since the density of pure water is 1.0, the specific gravity of this unknown block of wood will have the same numerical value as its density. To find the density of the block in grams per cubic centimeter, divide its weight in grams (76.5) by its volume in cubic centimeters (85). The value for the specific gravity is the same as the density, except there are no units of measurement. [I.e. the units of measurement are cancelled out by dividing the density of the block by the density of pure water.]

Questions 104-110:  See illustration of logs cut at the saw mill in Wood Anatomy:

Radial sections are made along the rays or radius of the log, at right angles to the annual rings (see Figure B). [Note that the radial cuts are mostly at right angles to the red annual rings in Figure B.] This plane is also called quarter-sawed lumber because the logs are actually cut into quarters. The rings appear like closely-spaced, parallel bands (See Photo 1 Below). Since relatively few, large, perfect, quarter-sawed boards can be cut from a log, they are more expensive. Because the dense, dark summer bands (annual rings) are closely spaced, this plane is also more wear-resistant. Note: Tangential sections are made perpendicular to the rays and tangential to the annual rings and face of the log (see Figure A). This plane is also called slab-cut or plane-sawed lumber. The annual rings appear in irregular, wavy patterns (See Photo 2 Below). This is the plane in which most plywood and lumber is cut at the saw mill.

Photo 1. Radial plane of ponderosa pine (Pinus ponderosa) showing the closely-spaced, parallel annual rings. This is also called a quarter-sawed board. It is more resistant to wear because the dense (dark) summer bands are very close together.

Photo 2. Tangential plane of Douglas fir (Pseudotsuga menziesii) plywood showing the attractive, wavy pattern of the annual rings.

Petrified sequoia wood (Sequoia) showing perfectly preserved tangential (T) and radial (R) planes. This 15 million-year-old petrified wood was uncovered from its ancient tomb of flood sediments and lava flows near the Columbia River Gorge in central Washington. Sequoia trees once grew wild in this region 150,000 centuries ago.

The narrow bands of summer wood in this old piece of charred lumber are more resistant to wear compared with the wider bands of spring wood. The summer wood is harder because the cells are smaller and more dense.

Questions 111-115:  Refer to hints for questions 98-103 above. Also refer to Wayne's Word article about Hardwoods and the Cell Structure Of Stems.

Questions 116-125:  For questions about plant fibers please refer to the Wayne's Word article about Plant Fibers Used For Paper, Cordage & Textiles. Also refer to the Wayne's Word article about the Cellular Structure Of Stems.

Xylem Tracheid
Xylem Vessel Element
A tracheid and a vessel element, two types of water-conducting cells found in xylem tissue. Long chains of vessel elements connected end-to-end are called vessels. Pits in the walls allow water molecules to pass laterally through adjacent xylem cells, as a steady chain of water molecules moves upward through the xylem (vascular) tissue. Generally, most cone-bearing gymnosperm trees do not have vessels. Instead, their xylem tissue is composed primarily of tracheids. Gymnosperm wood is generally considered to be a close-grained softwood. Both gymnosperm and angiosperm woods are converted into pulp for making paper products.

Cross (transverse) section of oak wood (Quercus agrifolia). The annual rings appear like concentric bands and can be counted to age-date the tree. This is a ring-porous wood, with bands of large, porous spring vessels. Smaller, dense tracheids and vessels occupy the wider gaps between the spring bands. In this wood, the spring vessels actually appear darker and are easier to count. In pine wood, the darker, summer bands are easier to count.

This small block of angiosperm wood is used for an aquarium aerator. Fine jets of air bubbles come out of the porous vessels from the transverse surface of the block.

Questions 126-184:  For questions about plant fibers please refer to the Wayne's Word article about Plant Fibers Used For Paper, Cordage & Textiles. Important plants used for fibers are summarized in the following table:

Stem (Bast) Fibers (Dicots)
Common Name
Scientific Name
Plant Family
Linum usitatissimum
Linaceae (Flax)
Boehmeria nivea
Urticaceae (Nettle)
Corchorus capsularis
Tiliaceae (Basswood)
Hibiscus cannabinus
Malvaceae (Mallow)
Beach Hibiscus
Hibiscus tiliaceus
Malvaceae (Mallow)
Hibiscus sabdariffa
Malvaceae (Mallow)
Urena lobata
Malvaceae (Mallow)
Sunn Hemp
Crotalaria juncea
Fabaceae (Legume)
Indian Hemp
Cannabis sativa
Cannabaceae (Marijuana)
Indian Hemp
Apocynum cannabinum
Apocynaceae (Dogbane)
Hoop Vine
Trichostigma octandrum
Phytolaccaceae (Phytolacca)
Leaf Fibers (Monocots)
Agave sisalana
Agavaceae (Agave)
Agave fourcroydes
Agavaceae (Agave)
Yucca elata
Agavaceae (Agave)
Musa textilis
Musaceae (Banana)
Bowstring Hemp
Sansevieria trifasciata
Sansevieria roxburghiana
Sansevieria hyacinthoides
Agavaceae (Agave)
New Zealand Flax
Phormium tenax
Agavaceae (Agave)
Seed Fibers (Dicots and Monocots)
Gossypium hirsutum
Gossypium arboreum
Gossypium herbaceum
Gossypium barbadense
Malvaceae (Mallow)
Cocos nucifera
Arecaceae (Palm)
Asclepias spp.
Asclepiadaceae (Milkweed)
Fibers From Seed Pods (Dicots)
Ceiba pentandra
Bombacaceae (Bombax)
Floss Silk
Chorisia speciosa
Bombacaceae (Bombax)
Devil's Claw
Proboscidea parviflora
Martyniaceae (Martynia)

+ نوشته شده در  دوشنبه یازدهم آبان 1388ساعت 16:18  توسط abdolla zamani  | 


نخستین فرهنگ توصیفی انگلیسی فارسی صنایع چوب و کاغذ در ایران


نام کتاب: نخستین فرهنگ توصیفی صنایع چوب و کاغذ ( انگلیسی - فارسی )

مولف: اسماعیل حسن نایبی

ناشر: نگار نور

چاپ: اول / ۱۳۸۷

شمارگان : ۳۰۰۰ نسخه

مشخصات: ۳۴۰ صفحه / قطع رحلی

+ نوشته شده در  دوشنبه یازدهم آبان 1388ساعت 16:8  توسط abdolla zamani  | 



هنر معرق روي‌ چوب، يکي از رشته هاي پر پيشينه ي صنايع‌ دستي ايران است‌ که‌ به‌ نسبت‌ساير صنايع‌ چوب از قبيل خانم‌، منبت، نازک‌ کاري‌ چوب، خراطي و بافت‌ سبد و حصير داراي‌قدمت‌ بيشتري است‌ و طبق اسناد و مدارک‌ موجود، با وجودي‌ که‌ زادگاهش‌ هند است‌، اما‌از روزگاراني‌ خيلي دور به‌ ايران راه يافته و هنرمندان و صنعتگران ايراني‌ تکميل کننده و‌گسترش دهنده آن بوده‌اند.

اين‌ هنرصنعت که‌ در ابتدا تلفيفي از چوب و فلز بود به‌ کمک ذوق‌ و انديشه ي معرق‌سازان هنرمند ايراني‌ تغيير شکل داد و صنعتگران کشورمان به‌ جاي يک‌ نوع چوب که‌‌معمولا متن اصلي دست‌ ساختهها را تشکيل مي‌داد به‌ استفاده‌ از انواع چوب با رنگ‌هاي‌مختلف پرداختهاند و هم‌ اينک استفاده‌ از حدود 72 نوع چوب مانن‌ رز، زيتون، شمشاد،‌نارنج‌، فوفل‌، عناب، گردو، اقاقيا، ممرز، کاج، سرو و... نزد صنعتگران مرسوم است‌ و افزون‌‌براين‌، بنا به‌ ضرورت‌ گاهي‌ از استخوان شتر، صدف، روي‌، مس‌، برنج‌، نقره، عاج و حتي طلا‌براي تکميل فرآورده‌هايشان استفاده‌ ميکنند و آنچه بوجود مي‌آورند آنقدر ظريف‌ و زيبا و‌چشم نواز است‌ که‌ به‌ راستي با کمک واژه‌ها و الفاظ نميتوان آنها را تجسم بخشيد و براي‌شناخت‌ معرق و کشف دقايق‌ آن حتما بايد معرق رااز نزديک‌ ديد.

چگونگي ساخت‌ معرق‌

ماده‌ ي اوليه و عمده ي موردنياز معرق سازان چوب است‌ که‌ معمولا انواع مختلف آن از‌داخل‌ کشور تامين مي‌شود و به‌ ندرت‌ از چوبهاي خارجي‌ استفاده‌ به‌ عمل مي‌آيد. علت اين‌‌امر، وجود جنگلهاي متعدد در ايران و تنوع موجود در کشور است‌.

شيوه ي کار معرق سازان به‌ اين‌ ترتيب است‌ که‌ ابتدا طرح موردنظ‌رشان را که‌ معمولا‌اقتباسي‌ از خط‌وط اسليمي و ختايي‌ يا منياتورهاي ايراني‌ و ديگر طرحهاي اصيل و سنتي ايراني‌ ‌‌ است‌ برروي‌ کاغذ نازک‌ (کاغذ کالک‌، کاغذ ماشيني يا کاغذ روغني) ترسيم مي‌کنند‌و سپس آن را برروي‌ يک‌ قطعه تخته ي سه‌ لايي‌ ميچسبانند و به‌ وسيله ي ميخهاي سوزني‌‌کوچک‌ برروي‌ زمينه ي اصلي کار که‌ بيشتر چوب فوفل‌ يا رز است‌ و حدود پنج ميلي متر قط‌ر‌دارد نصب مي‌کنند و بعد با دقت‌ بوسيله ي اره‌ ي موبي‌ به‌ بريدن خط‌وط اطراف آن‌ميپردازند.

پس از بريدن کليه ي خط‌وط طرح و هنگامي‌ که‌ زمينه ي کار بصورت‌ تابلويي‌ (که‌ جاي نقوش‌درآن خالي‌ است‌) در آمد تخته ي سه‌ لايي‌ را از آن جدا ساخته و استاد کار معرق ساز براي‌تکميل کار خود قسمتهاي مختلف طرح را به‌ نسبت رنگي که‌ بايد در تابلو داشته باشند‌مجددا از چوب هايي‌ که‌ هر يک‌ داراي رنگ‌ ويژه يي‌ است‌ بريده و در جاي خود قرار مي‌دهد و ‌باچسب به‌ متن ميچسباند و گاهي‌ براي تنوع بخشيدن به‌ کار و زيباتر ساختن آن از قط‌عات‌عاج، استخوان، صدف و فلز بهره ميگيرد.

در يک‌ محصول معرق اصيل رنگ‌ها تماما بايد طبيعي باشد و به‌ هيچ وجه‌ نبايد از مواد رنگي‌(اعم‌ از گياهي‌ يا شيميايي‌) استفاده‌ به‌ عمل آيد.

آخرين‌ مرحله ساخت‌ يک‌ اثر معرق پوليستر کاري‌ روي‌ کار است‌ که‌ طي آن سط‌ح‌ تابلو يا‌محصول به‌ وسيله ي کيلر يا سيلر پوشش‌ داده‌ شده و آماده‌ ي عرضه‌ به‌ بازار مي‌شود.

از معرق علاوه‌ بر ساخت‌ تابلوهاي ديوار کوب براي تزئين رويه‌ ي ميز، پشتي صندلي‌، رحل‌‌، جاي قاشق‌ و چنگال، سرويس‌هاي چوبي‌، ، ظروف‌ شکلات‌خوري‌ و درهاي مقابر ائمه ي اطهار نيز استفاده‌ شده مي‌شود.

اين‌ هنر ارزنده‌ هم‌ اينک فقط در تهران رواج دارد و دست‌ اندر کاران آن با بهره گيري از‌تجربيات گذشتگان و مهارت‌هاي شخصي محصولات بسيار متنوعي‌ با قابليت هاي قوي مصرفي‌‌و هنري توليد مي‌کنند

+ نوشته شده در  دوشنبه یازدهم آبان 1388ساعت 16:2  توسط abdolla zamani  | 

+ نوشته شده در  دوشنبه یازدهم آبان 1388ساعت 15:56  توسط abdolla zamani  | 

+ نوشته شده در  دوشنبه یازدهم آبان 1388ساعت 15:50  توسط abdolla zamani  |